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I just see a screenwriter trying to make a plot fit together, and it’s a bit jarring.BLUrAy regarder? X‐Men : Apocalypse Movie 2016 Accès d’essai gratuit en ligne. I don’t see the narrative justification for jumping through time, or re-writing characters to appear completely differently. When you consider Robert Downey Jr’s Iron Man in this year’s Captain America: Civil War, you can see the changes in him over the 10 years he’s been a superhero.īut when I look at the characters in X-Men: Apocalypse, I don’t see or believe that they’ve been fighting for justice for two decades.
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Fundamentally, whether the characters look older or not doesn't matter too much – it’s the fact that none of them feel older that bothers me. I would argue that not everything that works in the medium of comic books works onscreen, and while the X-Men comics do compress time, in doing so they have not (generally speaking) tossed characters into different decades willy-nilly to serve the whims of the next plot, or entertained quite so many bizarre paradoxes without at least an attempt to explain them (called “retconning” in the business).Īnd the age issue is important.
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And if the comics did it, can’t the movies? The original Marvel X-Men comics on which the movies are based also have a loose approach to time, using a so-called “elastic timeline” that reimagines and compresses events from the 1960s (when the first X-Men comics were published) to have happened roughly 10 years prior to the present day. Well, there is at least a precedent here.
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Sure, the film series tries to explain away some of its odd paradoxes and contradictions with Wolverine’s travel to the past in DOFP and, yes, applying strict logic to superhero movies can seem pointless, but if you’re ignoring the basic laws of time there’s something very wrong, right.? This muddles things up even further by jumping forward another decade to the 1980s (putting James McAvoy and Michael Fassbender in at least their 50s while 25-year-old returning First Class actor Lucas Till would be in his 40s) and including characters like Psylocke (Olivia Munn), Angel (Ben Hardy) and Nightcrawler (Kodi Smit-McPhee) who had supposedly not been encountered, and in very different forms, until 20 years later in the original X-Men trilogy.Īpparently the plan is now to set the next X-Men movie in the 1990s (hello, 60-plus James McAvoy), and to be honest it’s getting a bit silly. The above infographic from Delayed Gratification and Empire more or less sums up the twisted state of the X-Men movie universe after DOFP’s release – but then they made this year’s X-Men Apocalypse. It’s also worth noting that DOFP saw Patrick Stewart’s Professor X return from the dead and Ian McKellen’s Magneto regain the use of his powers after the events of X-Men 3, with no explanation bar ambiguous post-credits scenes in the earlier 2007 Brett Ratner movie. And at the close of the film, Wolverine was sent back to the “present” to find all his friends alive and well, tacitly rewriting X-Men 3 to have never happened (several of the returning characters like James Marsden’s Cyclops and Famke Janssen’s Jean Grey were offed in that movie) as well as possibly the other two original X-Men movies, seeing as Mystique decided not to be a villain after all (as she appeared in those films). Oh, and it was also set both before, after and during X-Men Origins: Wolverine.
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Set about a decade after First Class (but using the same actors who had barely aged), DOFP merrily set about tearing apart the history of the X-Men movies thus far, as Hugh Jackman from the even closer future (set after the first three X-Men films) went back in time to just after the First Class prequel to stop something (Mystique’s blood making killer robots, basically) that hadn’t yet been a problem in the first three X-Men films. This made everything even more confusing. But producers at the time made very clear that the X-Men universe was supposed to all hang together, and then X-Men: Days of Future Past confirmed it by uniting both generations of mutants in one great big adventure. None of this would matter, of course, if First Class was a reboot. James McAvoy and Michael Fassbender were cast as younger versions of Patrick Stewart’s Professor X and Ian McKellen’s Magneto respectively, and while in of itself that wasn’t too jarring, the film’s 1960s setting put the 30-something actors about 10 years older than their characters would have been at the time (based on the age of Stewart and McKellen in 2000’s X-Men).